Irrespective
of any inaccessible area (referred to from the moment at which the image
moves towards the light, forming the discordant notes of the composition),
we are tempted to represent the inner world can turn the shadows from
time to time be installed in ceremonies in for his meeting with us.
Since the geometry of an environment,
its pulse, the stroke is smooth and begins to shape a movement encouraged
to respond to each of the statements set forth in the verticality of
the dream.
We are so accustomed to the symbolism
of the useless, to assume that any guidance disguise trends, or play
with the ephemeral, will lead us towards a metaphysics of colour away
from the light-shade dialectic that consists, in short, the real creative
space . Thus representing a return of codes under the gradual cromatización
a unique arrangement where the effects of light contrasts with the actual
dimensions of the canvas. There is no point referred to absorb if this
look is not suggested by a "read" by a "do", on
the eve, in the memories, the temptations, multiplying and dimensioning
reality lost in an image that the colour (although does not act) as
revealed to us meaning.
Now we just need to know if this
connection can be transformed into points and we feel the exact configuration
of an oral work, written in the solitude of the contemplated unnoticed.
ANTONIO
MERINO
Madrid, April 1.991
 |
 |
 |
 |
 |
 |